Projects

October 3 and 4, 2025

The Witch Project

The Den Theatre
Chicago, IL

Green skin. A flaming broom. Ruby slippers that wonโ€™t stay put.

Click your heels and step into THE WITCH PROJECTโ€”a spellbinding theatrical ritual tracing one queer man's journey through the legacy of the Wicked Witch of the West, from the fire of the witch trials to the shadows of the AIDS crisis. Featuring the music of Stevie Nicks, the Indigo Girls, and more, this collision of memory and magic builds to a mythic reckoning of identity, persecution, pop culture, and power.

Stir your cauldron. Gather your powers. Reclaim your wickedness.

Photo by Andrew Boynton


Photos by Flaming City Photography from the 2020 production of The Witch Project.

Praise for The Witch Project

โ€œThe Witch Project is part cabaret, part history lesson, part performance art โ€” and above all deeply personal and profoundly moving.โ€

- Greta Honold, Steppenwolf LookOut Series

โ€œAlex Benjamin invites the audience into a dynamic and deeply personal musical, historical, and comedic revue of his idols. In his investigation of the duality of these characters โ€” and the real life women behind them โ€” Wanda utilizes drag, music, and storytelling to build a compelling parallel with coming of age dimensions relative to gender, gender identity, imagination, and the journey toward a sense of home in oneself. Alex reveals and demonstrates a multi-voiced, multi-dimensional self.โ€

- Maris Oโ€™Tierney, maeve & quinn


The Great & Terrible Dr. Faustus

February 2016

Striding Lion Performance Group

The Athenaeum Center
Chicago, IL

An interactive theatrical experience that uses a combination of athletic dance sequences and vintage jazz songs sung live to tell a uniquely American version of the Faust legend. The story casts Faust as an American vaudeville magician in the early 1900s, with audience members invited to journey alongside the characters in their quest for revenge and romance through all the rooms of the historic Chicago landmark Athenaeum Theatre.

Directed, Written, and Conceived by Alex Benjamin

Choreographed by Katherine Scott

Zach Nicol and Mary Iris Loncto

Photo by Justin Barbin Photography

Zach Nicol and Collin Quinn Rice

Photo by Justin Barbin Photography

โ€œAlex Benjamin's Faustus was an impressive accomplishment on a number of levels. First, the logistics of this particular immersive journey through a found space, with audience cohorts criss crossing amidst a fully integrated, consistently present multi-space sound score, was exceptionally complex. Second, the attention to rhythm and contrast--physically, aurally, spatially, dramaturgically--was impressive. It created a dynamic and ever shifting experience for audience members. And third, the work of the performers, toggling between intimate and epic, presentational and fourth wall- it was nuanced, deeply felt, clear and compelling throughout.  All of this made me feel that Alex and his team were, and are, incredibly thoughtful about site, immersion and artist/audience contract as potent tools in the palette of time based theatre/performance artists. They deployed this palette confidently, and achieved considerable impact with their audiences.โ€

--Michael Rohd, Co-founder of Sojourn Theatre and the Center for Performance and Civic Practice

โ€œAlex Benjamin's Faustusโ€ฆwas a tornado of physical narratives and dream like musical montages. It was a clever and inventive adaptation with the characters from this classic story becoming an embodiment of the seven deadly sins. I loved being an active participant as an audience member, venturing with the character we were assigned to follow through the antiquated theatre's dressing rooms, lobby, balcony, wings of the stage, and more.โ€

--Sarah Rose Graber, US-UK Theatre Artist

Recipient of 2013-2014 UK Fulbright on Devising Theatre

Circumnavigator Scholar on Theatre For Social Change Around the World

Praise for Faustus

Zach Nicol and Darling Squire

Photo by Matthew Gregory Hollis


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